Movie Title: I Am Legend
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“I Am Chronicle” is not a film that sticks closely to it’s source material. While that is it’s biggest flaw, it is also where it shines. If you ha told me two years ago that I’d find misty-eyed watching Will Smith teach “Three Tiny Birds” in a broad budget motion characterize I’d have laughed myself comic, but this adaptation of Richard Mathson’s untouchable fresh that -while itself being a vampire story- inspired the entire zombie film genre as we know it takes the fable we all know whether we’ve read the book or not and turns it into an exceptionally personal affair for all of us. One man. One dog. A familiar metropolis deserted by day, but crawling with death by nightfall. This is our setting and it’s one that never gets veteran for me.

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The plague that wipes out Robert Neville’s world is never fully explained, simply inferred to be the result of some sort of failed cure for cancer. Gone from the fresh and the current Vincent Ticket classic, The Last Man on Earth, is the long struggle of Neville to keep his ill daughter, his wife’s tranformation, and the gross actions of the US government to beget the plague. What it left is simply one man, alone trying to gain his sanity and hopelessly searching for a cure to a disease that has already wiped humanity off the face of the earth and left the “survivors” as rabid vampiric horrors. It’s unlit, it’s pathetic, and it’s perfectly human. Will Smith has a penchant for picking dreadful, schmaltzy films to star in, but no one can reveal his talent and charisma as a leading man. Naturally, this is a film he must carry single-handedly and he does an awesome job of it; he’s dramatic, he’s relateable, and at times, he is amusing. The humor is that of the sad and bad kind, but in a world like his, that is all there is left.

The vampires/zombies/infected in this are all CG and more than a bit reminiscent of Gollum from The Lord of the Rings. I’m not a fan of these kind of effects when practical would have been more effective and was acutely aware of the fact that I watching computer-generated monsters, but they worked nonetheless. The infected explain to be ugly foes for Neville to face, combining suprising cunning, inhuman strength, and impossible agility (hence the CG) . Their only weakness is that sunlight kills them almost instantly. Neville plays a game of cat-and-mouse with them, gathering supplies, researching cure, and searching for survivors by day while making positive to acquire relieve to his fortified apartment before nightfall when the creatures arrive out to hunt for his hiding station. More than a few shades of 28 Days Later are point to in this film, which is comic considering the book and it’s film offspring are largely what provided the elements of that film. So I guess the genre has officially approach burly circle now.

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Ultimately, it’s the personal touches that perform “I Am Record” such a treat. Bob Marley provides both the soundtrack to Robert Neville’s day and the inspiration for his work, which is both ironic and uplifting at times. This may sound uncommon for a anxiety flick, but if you are a fan of Marley (himself a Fable) it makes all the sense in the world as you sight. Watching Neville attempt to interact with mannequins he’s situation up as he returns the movies he rents (in alphabetical order, one at a time) and seeing him snap when one of the figures is moved is both funny and, at times, intensely disturbing. When relief finally comes, Neville finds he has lost the ability to interact with other humans at all and is relegated to performing lines from “Shrek”, which is playing on his television at the time. The ending is a complete 180 from the book which is disappointing, but not as corny as it could have been. The modern I Am Anecdote has one of the most intelligent and darkly ironic endings ever do on paper, but director Francis Lawrence didn’t extinguish it by go for the contented ending either. The result is a compromise between the pitch blackness of the book and the cloying cheese that many Will Smith fans esteem. It turns out a bittersweet and hopeful conclsion that should satisfy both while not thrilling either. But I left the theater with “Redemption Song” smooth ringing in my ears and a gay feeling. If only every movie could do that for me.

“I Am Yarn” fails to adapt the book of the same name to the gargantuan conceal, but succeeds in so many other ways. I can’t give it a perfect net, but I will give it a very hearty recommendation to fans of Will Smith, zombies, vampires, and Bob Marley. Be Pleased.

I Am Memoir can’t salvage a glowing shake. This Will Smith-led production is the third attempt Hollywood has made to adapt the sparkling original. None of the adaptions have truly done the fresh justice (which is a shame), but this version has approach the closest.

Here we have a shiny beginning; footage of a scientist (played beautifully by Emma Thompson) saying humbly that she’s discovered a design to cure cancer. Rapidly forward a few years, and Original York is utterly devoid of human life, keep for Robert Neville (Will Smith) . As the first half of the film progresses, we learn about his meager living, spending the day harvesting and trying to peep a cure, even now, while spending the night huddled in his protected home as creatures prowl.

His only companion, a amazing dog named Sam, protects Neville as Neville protects him. They have a friendship based on loneliness and the human need for someone or something to have onto. Sam is Neville’s only connection to the past and the only design to record what itsy-bitsy humanity is left, either in the world or Neville himself. This period in the movie is pitch perfect, puncuated by one or two unsightly sequences that instill salubrious fright.

Unfortunately, the last half of the film deteriorates into an action movie that completely changes the meaning of the words “I Am Chronicle.” Don’t gain me infamous, it’s mostly done really well. Constantine director Francis Lawrence has a advantageous handle on the action and delivers some obedient scenes. But, it becomes muddled and veers off completely from the fresh. My biggest complaint, though, is the exercise of CGI. Instead of using actual flesh and blood actors, all of the creatures are created with CG and they seek incredibly erroneous when lined up next to genuine people. In the beginning, it’s not a quandary but as you spy more of them (and you will) it’s glaringly distinct. And annoying.

All of this I was expecting going in, though. Considering that the film was co-written by Akiva Goldsman who also wrote I, Robot, I knew this version would stray from the source material objective as I, Robot did. As a movie, it’s genuinely thrilling and creates the perfect balance of tension and action through most of its entirety. And, surprisingly, Will Smith shows that he’s a really safe actor as he has to not only tackle many conflicting emotions during the two hour bustle time but he also has to do so without having great of anyone to react to. Spending a capable hour or so without another single actor for Will Smith to work with was a gamble and it paid off.

Your enjoyment of the film is entirely based on what you bring to the table. If you’re coming to this film expecting to discover the book arrive to life you’ll be sorely disappointed. However, if you’re looking for a pleasurable action movie that actually has a helpful myth and a human aspect, you’ll be hard-pressed to come by one as thrilling recently.
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